JIM BALENT
'Tarot: Witch of the Black Rose #107'
BROADSWORD COMICS
'Tarot: Witch of the Black Rose #107'
BROADSWORD COMICS
There are times in life when the best thing ever
reaches a strange place which you don’t really know how to classify
if not as a “comfort zone”. I’ve been a fan of Jim Balent’s
'Tarot: Witch of the Black Rose' since I first discovered this comic,
but Winter-themed issues have been playing with the same pot and
character for a while; since 2014, to be specific.
Before anyone says anything about me complaining,
I love the characters, I love the magic in each issue, I love the
overall story so far and I wouldn’t stop reading this comic for
anything, but the overused topic of the Krampus has become somewhat
tiresome after so many issues, making it predictable that he is most
likely to appear in November when the Winter has come.
Just for the record, the Krampus is the total
opposite of Santa Claus. He doesn’t come to give, but to take. He
either punishes the bad children for their bad behaviour or takes
them to a place no one knows and no one escapes from. If listening to
that story doesn’t make you be a good kid, I don’t know what
will.
As for Tarot and her enchanting world, the Krampus
has been challenged by Tarot and her family many times in past with
no result. There’s no difference in Issue #107, with the sole
change that there is some character development for both Tarot and
Jon and gorgeous art you don’t get tired of looking at.
I fell in love with this issue because of the
colours, the shadows, the editing and the drawing, but the story
itself is pretty simple, not as complex and interesting as in past
proposals. A couple of monsters, magic here and there and a nice
touch of violence that should be better developed in the future to
make sense.
The whole issue can be read with no problem, it is
fast, it is quick, fluent and entertaining, remaining loyal to the
core of a dark fantasy, sexual series just like Tarot: Witch of the
Black Rose is, but it also fails in terms of originality or actual
interesting content, not considering the scene-twist and the
dialogues.
We are about to see the next chapter in Jim Balent’s creation,
which looks promising so far. It would be interesting to see what
happens after such a hard time for the characters in this issue, and
I’m sure both Balent and Holly (colouring and lettering) will have
a great redemption for Issue #107, just like that have always done.