So! Last month we asked the question about non-problematic forms of activism and summoned the idea of the WARRIURRRR. Digging a bit more closely into this – what are the culturrrrral manifestations of the WARRIURRRR? And what would WARRIURRRR culturrrrr look and sound like? How can we make WARRIURRRR music?
Let's start with some
obvious culturrrrral examples of the WARRIURRRR. PJ Harvey is the
superlative example; Diamanda Galas, Annie Lennox, Shirley Mansoon;
Beyonce too. Grace Jones, Pauline Black. Eddie Izzard is a kind of
WARRIURRRR too. These are uncompromisingly independent, creartive,
assertive, and FEEUURSE.
Politically, Jack
Monroe is a WARRIURRRR. Saffiyah Khan is WARRIURRRR. Kat Blaque the
definitive WARRIURRRR of the moment. Angela Davis is the ultimate
WARRIURRRR. Even Caroline Lucas is a kind of WARRIURRRR.
In terms of fictional
WARRIURRRRZ some particular examples come to mind. Obviously, Ripley
and Furiosa are WARRIURRRZ. Red Sonja is probably more warrior than
WARRIURRRR, although the Bride is a striking (albeit unusual) example
that qualifies as a WARRIURRR. Black Canary, Jessica Jones and
Catwoman are WARRIURRRRZ. Uhura and Starbuck are SPACE WARRIURRRRZ.
In fact, sometimes there appears to be more WARRIURRRRZ in space than
there are on earth.
What do these
WARRIURRRRZ have in common? Well, they are all fighters of a kind,
all glittered in various shades of sass. There is a lot of strength,
a lot of humour, a lot of FEEEURRSEE. Their instincts and senses are
correct. They don't take the easy way out.
So, which of these
elements could we bring into a WARRIURRRR music? Well, a lot of
screaming is essential; noise, discordancy; pounding drums; sneering
contempt, aggression, and political commentary – but without macho
posturing and po-faced demogoguery.
We need some more
WARRIURRRR venom in goth.
Over to you, gofficks.