Apparently nineteen years in to their musical
career and four years after the positively received 'The World Dies' in
2010, Vidi Aquam's latest opus features everything that will
guarantee the loyalty of their Euro-goth fanbase but will register a
musical-quagmire for everybody whom has a functioning set of ears.
Emerging in to the dark and dingy,
reverb-heavy world in 1994, this Milan-based trio have gathered
momentum in the last couple of years in part from sharing tour-bills
of bigger names from the scene and have also been given a name drop
or two in musical-literature.
Featuring a sound palette that consists
of archaic, analogue synthesisers, treble-heavy basslines and deeply
mixed, echoing vocal-wails, 'Fog Vision' is an undeniable hat-tip to
the to the forefathers of now modern goth but unfortunately just
comes across with utter pretension. A number of tracks blend
seamlessly in to each other, such as album opener 'The Puppets Show'
through to title track 'Fog Vision' which comes complete with a lack
of totally unoriginal hooks which does nothing cause wonder as to why you
haven't indulged the skip button. However, serving as unintentional
restbite from the monotony, the surprising airy, rock-driven 'She
Says and Does Not Say' seems to be the diamond in this particular
rough but soon ushers in another chain of clippy, un-produced
Euro-bilge that deserves no real concentration.
In this day and age, there is just no
excuse for horrid production and the quicker Vidi Aquam realise this,
the better it will be for everybody. For all the downfalls, there are
promising glimmers of hope dotted around this full-length that get
drowned out by the surrounding mulch. There is an exciting world out
there that is stuffed to the brim with possibilities, Vidi Aquam
would not be ill-advised to take advantage of it.