'Ministry: The Lost
Gospels According To...'
Before you have even
made it past the preliminary forwards and introductions you are left
marvelling at how the ferocious industrial pioneer Al Jourgensen is
even alive, let alone coherent enough to pen a book. Uncle Al has had
as many brushes with death as he has songs in his eclectic
discography, and he is not afraid to go into explicit detail about
them.
In 'Ministry...'
Jourgensen presents a warts and all picture of life as one of the
godfathers of the industrial rock scene. Charting his life as a young
Cuban immigrant, through his wild teenage years and his illustrious
music career with every drug, arrest and near death experience along
the way, with a cast of famous characters who rarely emerge
unscathed.
Where memoirs like
Marilyn Manson's 'Long Hard Road Out Of Hell' and Mötley
Crüe's 'The Dirt' pull
their punches and gloss over the more graphic scenes, Jourgensen goes
into heavy and often uncomfortable detail. But what makes the book
even more uncomfortable to read is the sheer amount of times you find
yourself laughing at the most inappropriate moments.
Al can often come across as an asshole of epic proportions. But still a likeable one. His youthful incarnation lives life to such extremes that anything could snuff him out at any moment. And by the time he is in full swing with his music career he seems hell bent on death by hedonism. But he is unapologetic throughout. The personal and professional bust-ups are still obvious sore spots for him. As is his disdain for performing for his fans. But despite all of this you can't help but root for the guy as he reels off the anecdotes. The only time he shows any regrets or chinks in the armour is when he mentions his family or those close to him that have died.
Al can often come across as an asshole of epic proportions. But still a likeable one. His youthful incarnation lives life to such extremes that anything could snuff him out at any moment. And by the time he is in full swing with his music career he seems hell bent on death by hedonism. But he is unapologetic throughout. The personal and professional bust-ups are still obvious sore spots for him. As is his disdain for performing for his fans. But despite all of this you can't help but root for the guy as he reels off the anecdotes. The only time he shows any regrets or chinks in the armour is when he mentions his family or those close to him that have died.
It's also interesting
to read as Jourgensen evaluates his extensive discography and looks
back at not only the craziness behind the scenes but also at how much
creative control he had in the sessions and how it has affected him.
He even gives an itemised list of what drugs fuelled which albums.
With a mixture of
first-person prose broken up with Q&A interviews, it is an
accessible read and conversational in tone. Which allows the warmth
of Jourgensen's personality and his charming self-deprecating wit to
really shine through. Even the interviews with Jourgensen's family
members such as his step-father Ed and wife Angelina, as well as with
peers such as Luc Van Acker (Revolting Cocks), Sascha
Konietzko (KMFDM) and Jello Biafra (Dead Kennedeys/Lard) don't sugar
coat a thing. With numerous parties checking in with their own
recollections the book builds up a fairly well-rounded portrait that
differentiates it from what can typically be a self-serving format.
'Ministry: The Lost
Gospels...' is compulsive reading. Jourgensen is a great storyteller
and the sheer insanity of his stories will no doubt keep people
turning the pages. It is definitely up there with the likes of Iggy
Pop's 'I Need More', Mötley
Crüe's 'The Dirt' and
even William Burroughs' 'Junkie' as an exposé.
It's ugly, and often downright brutal even vicariously, but Al has
lived it so you don't have to.