'Mother Monoxide'
Canadian
electro-industrial upstarts Psykkle return with their sophomore album
and a taste for conceptual songwriting. The band's début 'Rock
Bottom Paradise' was a solid exercise in crafting intelligent,
dance-orientated electro that quite rightly gained them the right
kind of attention from fans and critics. And last year's maxi single
'In The City Of Nodes' provided an tantalising teaser for the
forthcoming album, showcasing a band that had grown a lot in a short
amount of time.
Musically Psykkle pick
up where they left off, blending edm, trip hop, dark electro, hard
dance beats and distorted vocals into a spacey, cyberpunky, audio
dystopia. The band reels off big dancefloor numbers and hauntingly
effective soundscapes with equal relish.
The key difference is
the tangible sense of narrative this album displays. The conceptual
nature of the album gives it an almost soundtrack-like feel with the
tension slowly building throughout the track list. The overarching
cyberpunk atmosphere this creates is a nice change of pace for the
band while songs like 'In The City Of Nodes', 'For Dead Dreamers',
'Breathing In', 'Dreamscapes From The Hive Mind', and 'Tetsuo' show
that they can both push themselves creatively and remain
dance-friendly.
The only problem is
that it does feel a bit sprawling. Weighing in at fifteen tracks it
is asking an awful lot from the casual listener. The songs are
definitely strong enough to hold their own. But there is some fat
that could have been trimmed to make it a more streamlined.
On the whole though,
this is another great outing from what is still a hungry young
project that goes to show that they can pull off their ambitions with
ease. With only two albums to their name so far, but nonetheless
showing an impressive rate of growth, the future is looking bright
for Psykkle.