'Lazarus Under Glass'
The only good thing
that has come from the lamentable demise of Screaming Banshee Aircrew
is that we've had to brilliant bands emerge from the ashes. Partly
Faithful is one of the two and with their long-awaited full-length
début, 'Lazarus Under Glass', they aim to put the “art” back into
art rock.
Blending scathing
post-punk with dark pop and shoegaze powered by an ever present
grooving bass the band's sonic formula is a heady and infectious mix.
Recalling the likes of Bauhaus, The Cure and Nick Cave And The Bad
Seeds at their most sinister and innovative the band feel fresh and
modern while proudly tracing a lineage back to their influences.
Ed Banshee's vitriolic
vocals coupled with the vicious guitar lines from Anouska Haze give
songs like 'Amen', 'Hatchet', 'Big Bang Medicine', 'Stop' and
'Obsession' and undeniably savage edge that is utterly compelling.
While more retrained tracks like 'Underset', 'Skin' and the title
track 'Lazarus Under Glass' give the album a more approachable side
that plays up the band's ear for a strong melody and funky bass
lines.
The album has a
grittiness that works well, but doesn't take off any of the veneer of
the band's collective talent. It's raw, savage and vitriolic. The
vocals have heart and the guitars are in-your-face. But the mix never
feels swamped by these strong elements. It harks back to albums like
'Mask' and 'Unknown Pleasures' but through the band's performance
feels very much of the twenty-first century.
Partly Faithful have
essentially crafted a lesson in what modern post-punk should be. It's
arty, but not pretentious. Raw, but not sloppy. It's a very strong
first step that does well to capitalise on the potential that shone
from their first EPs. So the pretenders out there best take heed.